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Psychological Horror

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Psychological horror is one of the many sub-genres of horror. It is believed to be scarier than other sub-genres, purely because it focuses on everyday life, meaning that there is a chance that those events can happen in reality, therefore making the audience more cautious. This would differentiate from other subgenres such as supernatural horror because those events are less likely to happen. ‘Based on true events’ is often used with psychological horror because it tends to be based on factual occurrences in real life. Film makers often use this as it creates the illusion that there is a possibility than the plot can happen to the audience, thus making them want to watch it. They rely on the audience’s mind to create the horror effect. Conventions: rely on character's beliefs, fears and other hidden truths about the character/what they have done expose the evil that hides behind normality paranormal elements. the antagonist will appear nor...
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Roland Barthes

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The man in the image above is Roland Barthes, a French critic and theorist whose ideas about semiotics and anthropology have influenced the development of many media schools.  Throughout my A2 media coursework, I will be looking at a number of his different theories, such as The Death of the Author, Effect of Reality, and his 5 Narrative Codes.   The Death of the Author   Barthes proposed the theory of The Death of the Author in 1967. He believed that an author's intentions and biographical facts should hold no weight in regards to an interpretation of their writing. In a well-known quotation, Barthes draws an analogy between text and textiles, declaring that a "text is a fabric of quotations", produced from "innumerable centres of culture", rather than from one, individual experience. The meaning of a work depends on the impressions of the reader, rather than the "passions" of the writer; "a text's unity lies not in its origins...
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Reading Horror Films

The producer of the film will encode the film with a message and their preferred effect, and the audience will decode the film - they decide how they read the film. They can decide how much it will affect them too. In light of the idea of polysemy - in which media texts are open to multiple readings -  the cultural theorist Stuart Hall outlined different ways in which an audience may respond to a film. Possible readings that an audience may have include: Preferred/dominant - this is when the audience uncritically accept the preferred (or intended) meaning of the film. In other words, they like the film.  Oppositional - this is when the audience reject the message that is portrayed in the film. They dislike the film. Negotiated - this is when the audience partly accepts and partly rejects the film. Aberrant - this is when the audience do not understand the film and completely misinterpret it. Many horror films can be easily misi...
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